George Frideric Handel

George Frideric Handel
(23 February 1685 – 14 April 1759) was a German-born British Baroque composer famous for his operas, oratorios, anthems and organ concertos. Born in a family indifferent to music, Handel received critical training in Halle, Hamburg and Italy before settling in London (1712) as a naturalized British subject in 1727. By then he was strongly influenced by the great composers of the Italian Baroque and the middle-German polyphonic choral tradition.
Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. In 1737 he had a physical breakdown, changed direction creatively and addressed the middle class. As Alexander’s Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never performed an Italian opera again. Handel was only partly successful with his performances of English oratorio on mythical and biblical themes, but when he arranged a performance of Messiah to benefit London’s Foundling Hospital (1750) the criticism ended. It has been said that the passion of Handel’s oratorios is an ethical one, and that they are hallowed not by liturgical dignity but by moral ideals of humanity.Almost blind, and having lived in England for almost fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey.
Handel is regarded as one of the greatest composers of the Baroque era, with works such as Water Music, Music for the Royal Fireworks and Messiah remaining popular. One of his four Coronation Anthems, Zadok the Priest (1727), composed for the coronation of George II of Great Britain, has been performed at every subsequent British coronation, traditionally during the sovereign’s anointing. Handel composed more than forty operas in over thirty years, and since the late 1960s, with the revival of baroque music and original instrumentation, interest in Handel’s operas has grown.

Frédéric François Chopin


Frédéric François Chopin ( 22 February or 1 March 1810 – 17 October 1849), born Fryderyk Franciszek Chopin, was a Romantic-era Polish composer. A child prodigy, Chopin grew up in Warsaw, completed his musical education there, and composed many of his works there before leaving Poland, aged 20, less than a month before the outbreak of the November 1830 Uprising.
Effectively cut off from Poland, at 21 he settled in Paris. During the remaining 18 years of his life, he gave only some 30 public performances, preferring the more intimate atmosphere of the salon; he supported himself by selling his compositions and as a sought-after piano teacher. He formed a friendship with Franz Liszt and was admired by many of his musical contemporaries, including Robert Schumann. After a failed engagement with a Polish girl, from 1837 to 1847 he maintained an often troubled relationship with the French writer George Sand. A brief and unhappy visit with Sand to Majorca in 1838–39 was also one of his most productive periods of composition. In his last years, he was financially supported by his admirer Jane Stirling, who also arranged for him to visit Scotland in 1848. Through most of his life, Chopin suffered from poor health; he died in Paris in 1849, probably of tuberculosis.
All of Chopin’s compositions include the piano; most are for solo piano, although he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style, which is highly individual, is often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade; his major piano works also include sonatas, mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, and preludes. Many of these works were published only after Chopin’s death. Stylistically, they contain elements of both Polish folk music and of the classical tradition of J.S. Bach, Mozart and Schubert, whom Chopin particularly admired. Chopin’s innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout the late Romantic period and since.
Both in his native Poland and beyond, Chopin’s music, his status as one of music’s earliest ‘superstars’, his association (if only indirect) with political insurrection, his amours and his early death have made him, in the public consciousness, a leading symbol of the Romantic era. His works remain popular, and he has been the subject of numerous films and biographies of varying degrees of historical accuracy.

Pyotr Ilvich Tchaikovsky


Pyotr Ilyich Chaykovsky ( 7 May 1840 – 6 November 1893), anglicised as Peter Ilyich Tchaikovsky , was a Russian composer whose works included symphonies, concertos, operas, ballets, chamber music, and a choral setting of the Russian Orthodox Divine Liturgy. Some of these are among the most popular theatrical music in the classical repertoire. He was the first Russian composer whose music made a lasting impression internationally, which he bolstered with appearances as a guest conductor later in his career in Europe and the United States. One of these appearances was at the inaugural concert of Carnegie Hall in New York City in 1891. Tchaikovsky was honored in 1884 by Emperor Alexander III, and awarded a lifetime pension in the late 1880s. Although musically precocious, Tchaikovsky was educated for a career as a civil servant. There was scant opportunity for a musical career in Russia at that time, and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching he received there set him apart from composers of the contemporary nationalist movement embodied by the Russian composers of The Five, with whom his professional relationship was mixed. Tchaikovsky’s training set him on a path to reconcile what he had learned with the native musical practices to which he had been exposed from childhood. From this reconciliation, he forged a personal but unmistakably Russian style—a task that did not prove easy. The principles that governed melody, harmony and other fundamentals of Russian music ran completely counter to those that governed Western European music; this seemed to defeat the potential for using Russian music in large-scale Western composition or from forming a composite style, and it caused personal antipathies that dented Tchaikovsky’s self-confidence. Russian culture exhibited a split personality, with its native and adopted elements having drifted apart increasingly since the time of Peter the Great, and this resulted in uncertainty among the intelligentsia of the country’s national identity. Despite his many popular successes, Tchaikovsky’s life was punctuated by personal crises and depression. Contributory factors included his leaving his mother for boarding school, his mother’s early death and the collapse of the one enduring relationship of his adult life, his 13-year association with the wealthy widow Nadezhda von Meck. His homosexuality, which he kept private, has traditionally also been considered a major factor, though some musicologists now downplay its importance. His sudden death at the age of 53 is generally ascribed to cholera; there is an ongoing debate as to whether it was accidental or self-inflicted. While his music has remained popular among audiences, critical opinions were initially mixed. Some Russians did not feel it sufficiently representative of native musical values and were suspicious that Europeans accepted it for its Western elements. In apparent reinforcement of the latter claim, some Europeans lauded Tchaikovsky for offering music more substantive than base exoticism, and thus transcending stereotypes of Russian classical music. Tchaikovsky’s music was dismissed as “lacking in elevated thought,” according to longtime New York Times music critic Harold C. Schonberg, and its formal workings were derided as deficient for not following Western principles stringently.

Carl Czerny


Born: February 21, 1791 – Vienna, Austria
Died: July 15, 1857 – Vienna, Austria

The Austrian pianist, composer and teacher, Carl [Karl] Czerny, was born into a family of Bohemian origins. He was taught piano by his father before taking lessons from Johann Nepomuk Hummel, Antonio Salieri, and Ludwig van Beethoven. He was a child prodigy, making his first appearance in public in 1800 playing a Mozart piano concerto. Later, he gave the Vienna premiere of L.v. Beethoven‘s Piano Concerto No. 5 Emperor in 1812.
Carl Czerny quickly took to teaching and by the age of 15, he was already a sought after instructor. He eventually instructed Franz Liszt, among many others. F. Liszt later dedicated his twelve Transcendental Etudes to Czerny, who was one of the first composers to use étude (“study”) for a title. F. Liszt also implicated him in the collaborative work Hexaméron (the fifth variation on the Bellini’s theme is his).
Carl Czerny also composed a very large number of pieces (up to Op. 861), including a number of Masses and Requiems, and a large number of symphonies, concertos, sonatas and string quartets. None of these pieces are often played today, however, and he is known as a composer almost exclusively because of the large number of didactic piano pieces he wrote, many of which are still used today, such as The School of Velocity and The Art of Finger Dexterity.

Franz Peter Schubert


Franz Peter Schubert
(31 January 1797 – 19 November 1828) was an Austrian composer.In a short lifespan of less than 32 years, Schubert was a prolific composer, writing some 600 Lieder, ten complete or nearly complete symphonies, liturgical music, operas, incidental music and a large body of chamber and solo piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades immediately after his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the early Romantic era and, as such, is one of the most frequently performed composers of the early nineteenth century.

Johann Sebastian Bach


Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer, organist, harpsichordist, violist, and violinist of the Baroque period. He enriched many established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach’s compositions include the Brandenburg Concertos, the Mass in B minor, the The Well-Tempered Clavier, his cantatas, chorales, partitas, Passions, and organ works. His music is revered for its intellectual depth, technical command, and artistic beauty.

Bach was born in Eisenach, Saxe-Eisenach, into a very musical family; his father, Johann Ambrosius Bach, was the director of the town musicians, and all of his uncles were professional musicians. His father taught him to play violin and harpsichord, and his brother, Johann Christoph Bach, taught him the clavichord and exposed him to much contemporary music. Bach also went to St Michael’s School in Lüneburg because of his singing skills. After graduating, he held several musical posts across Germany: he served as Kapellmeister (director of music) to Leopold, Prince of Anhalt-Köthen, Cantor of Thomasschule in Leipzig, and Royal Court Composer to August III Bach’s health and vision declined in 1749, and he died on 28 July 1750. Modern historians believe that his death was caused by a combination of stroke and pneumonia.

Bach’s abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque period, and as one of the greatest composers of all time.

Wolfgang Amadeus Mozart


Wolfgang Amadeus Mozart ( 27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era.

Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.

He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence on subsequent Western art music is profound; Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote that “posterity will not see such a talent again in 100 years.”

Ludwig Van Beethoven


Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best known compositions include 9 symphonies, 5 concertos for piano, 32 piano sonatas, and 16 string quartets. He also composed other chamber music, choral works (including the celebrated Missa Solemnis), and songs.

Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven displayed his musical talents at an early age and was taught by his father Johann van Beethoven and Christian Gottlob Neefe. During his first 22 years in Bonn, Beethoven intended to study with Wolfgang Amadeus Mozart and befriended Joseph Haydn. Beethoven moved to Vienna in 1792 and began studying with Haydn, quickly gaining a reputation as a virtuoso pianist. He lived in Vienna until his death. In about 1800 his hearing began to deteriorate, and by the last decade of his life he was almost totally deaf. He gave up conducting and performing in public but continued to compose; many of his most admired works come from this period.